Supercars
Carrera GT: the V10 chapter. ↗
Carbon-fibre construction and a naturally aspirated engine at the centre of Porsche’s supercar story.
A JOURNAL FOR CAR LOVERS
About the journal ↗Twin turbos, an unmistakable wing and a design that makes its priorities visible.
Model-specific manufacturer information. Performance figures are manufacturer claims; image captions identify the example shown.
The F40 is a useful place to begin a conversation about expensive cars, because its attraction is not conventional luxury. Its visual identity is built around purpose: cooling openings, a low cabin and a rear wing that refuses to disappear into the bodywork. It makes the machinery the event.
Ferrari introduced the F40 in 1987, its fortieth anniversary year. A twin-turbocharged V8 of 2,936 cc supplied 478 CV; Ferrari lists a maximum speed of 324 km/h. Those figures belong to the original road car, not a competition derivative. They explain the scale of the ambition, but they are only the beginning of the story.
Our reading of the F40 starts with its lack of visual ambiguity. Even in a still photograph, you can identify the large openings and the strong separation between cockpit and engine compartment. The shape is not trying to conceal the work that happens underneath it.
Look at the rear wing as a piece of composition. It gives the back of the car a clear horizontal edge and makes the tail recognisable from a distance. The cabin appears compact between the broad body surfaces. The result has the directness of a technical drawing, but enough drama to work as a poster.
This is a different kind of extravagance from decorative trim. Where a formal luxury car might express expense through a jewel-like detail, the F40 expresses it through the scale and clarity of its performance brief. Its visual impact depends on the whole object, rather than a collection of ornaments.
A specification sheet allows comparison, but it does not communicate the emotional role of a car like this. More recent cars can post greater outputs without making the F40 visually irrelevant. Its appeal is attached to a particular set of choices, made in a particular era.
That distinction matters when discussing an icon. Calling it important does not require claiming that it is the best car for every road, driver or journey. A car can be demanding, specialised and deeply interesting at the same time.
Start with a full side view, then move to a front three-quarter photograph. Notice how the openings and wing change the apparent weight of the body. Finally, compare the compact glass area with the much larger rear section. It is a useful exercise in seeing a car as a package rather than a badge.
The F40 belongs in this issue because it makes a strong argument: desirability can come from an uncompromising idea. This is a historical and design profile, not a first-hand road test or a claim about how any particular surviving example drives.
Model facts draw on the references below. Design interpretations are APEX commentary.